There are few things that leave me speechless, I really REALLY enjoy the sound of my own voice. The first thing to do this in a long time is the noise that comes out of Betty Suarez’s mouth when a normal person would be singing.
I won’t lie, I had high hopes. I have a love for Betty that goes deep into my groin and in my heart of hearts I knew, JUST KNEW, that behind that timid demeanour was a honking great voice ready to belt across the stage. Kind of like Ellen Greene (and if you missed her in Betwixt earlier in the year, you deserve to be stoned.)
I WAS WRONG.
From the moment the lady got on stage, her arms stayed firmly at her side with a random flick of the forearm if she felt a moment needed particular dramatic effect. Then the honking began. She was clearly very nervous, the show had only opened the day before, but that is no excuse to play out the role of Roxy Heart as though you have recently taken a hit to the head from a Manolo Blahnik whilst on a mad cap adventure to save a photo-shoot and in your passed out fantasy you go on a journey of self discovery to overcome your crippling stage fright by playing the role of murdering, media manipulating ROXY. Now breathe.
As for the rest of the cast, well, Darius was …… there. They appear to have hired Skeletor for the role of Velma. I was informed later that she is ‘simply aaaaaaaaaaaaaaaaaaaaammmmmaaaaaaazing’ and is known for playing Velma better than anyone, anyone I ever met. But there are times when you have to throw out those trophies you got at school and move on with your life. Then there were the dancers, the beautiful beautiful dancers. If you can look at them without wanting to self harm then you are better than I.
So what I learned from this experience was…… well very little. Chicago is still an aces musical and even though Betty was a bit shoddy it was still an enjoyable romp. However just get some last minute tickets, if you pay full price then you are a fool.